Trying to Be by John Haskell is the winner of The Story Prize Spotlight Award for books published in 2025

In addition to naming three finalists each year, we also present The Story Prize Spotlight Award to a collection of exceptional merit. Selected books can be promising works by first-time authors, collections in alternative formats, or works that demonstrate an unusual perspective on the writer's craft. The award includes a prize of $1,000. 

Trying to Be by John Haskell (FC2) is the 14th winner of The Story Prize Spotlight Award. Chosen from among the 114 books we received as entries in 2025, this slender collection of nine stories walks the line between the essay and the short story, exploring aspects both of trying and being through the lenses of painting, film, dance, and both public and private histories. Touchstones include painters Francis Bacon and Diego Velasquez, German radical and journalist Ulrike Meinhof, dancer and choreographer Yvonne Rainer, actor Danny Kaye, the author's Aunt Dot, and characters in films such as Blow-Up and Five Miles to Midnight. 

John Haskell’s other books include I Am Not Jackson Pollock, American Purgatorio, Out of My Skin, and The Complete Ballet, a fictional essay. He has been a performer and playwright, written artist catalogues, and contributed to books. His fiction and nonfiction pieces have appeared in numerous publications, including Harper’s, Conjunctions, The Baffler, and The Yale Review. He is a contributing editor at BOMB and A Public Space, and has performed on the radio shows The Next Big Thing and Studio 360. His awards include a Guggenheim Foundation Fellowship and several NYFA grants, and he’s taught writing and literature around the world. Trying to Be was the 2025 winner of FC2's Catherine Doctorow Innovative Fiction Prize.

The 13 previous winners of The Story Prize Spotlight Award were: Drifting House by Krys Lee, Byzantium by Ben Stroud, Praying Drunk by Kyle Minor, Killing and Dying by Adrian Tomine, Him, Me, Muhammad Ali by Randa Jarrar, Subcortical by Lee Conell, Half Gods by Akil Kumarasamy, The Trojan War Museum by Ayşe Papatya Bucak, Inheritors by Asako Serizawa, Born Into This by Adam Thompson, God's Children Are Little Broken Things by Arinze Ifeakandu, The Goth House Experiment by SJ Sindu, and, most recently, The History of Sound by Ben Shattuck. 

You can find links to all fourteen books, including Haskell's, on Bookshop, in the list Winners of The Story Prize Spotlight Award. And you can also find Trying to Be on the list The Story Prize: 2025 collections received.

We'll announce the winner of The Story Prize on March 31 at a private event, which we'll live stream, featuring readings by and interviews with the three finalists: Other Worlds by André Alexis, Atavists by Lydia Millet, and Other Worlds by Ayşegül Savaş. And soon we'll post a long list of additional short story collections published in 2025.

The 2024/25 Story Prize Finalists Are André Alexis, Lydia Millet, and Ayşegül Savaş

The Story Prize, now in its 22nd year, is pleased to honor as its finalists three outstanding short story collections chosen from 114 submissions representing 72 different publishers or imprints. 

• Other Worlds by André Alexis (FSG Originals)
• Atavists by Lydia Millet (W.W. Norton)
• Long Distance by Ayşegül Savaş (Bloomsbury)

Other Worlds employs fanciful and formally inventive narratives to deftly explore issues of culture, race, sex, and class. Atavists charts a constellation of characters in a Los Angeles-area town, delineating contemporary anxieties, ambitions, and mores with a cool but sympathetic eye. The elegant stories in Long Distance—set in locales such as Paris, Rome, Istanbul, and Marseilles—subtly and poignantly depict the inner lives of characters struggling with displacement despite having chosen it.

We'll announce the winner of The Story Prize on the evening of Tuesday, March 31, at a private event featuring readings by and interviews with finalists Alexis, Millet, and Savaş. The winner will receive the top prize of $20,000 and an engraved silver bowl. The runners-up will each receive $5,000. We will live-stream the event starting at 7:30 p.m. and will post a link before then and the final video in the days that follow. 

Story Prize Founder Julie Lindsey and Director Larry Dark selected the finalists. These three independent judges will determine the winner:

• Writer and copyeditor Benjamin Dreyer;
• Writer and past Story Prize winner Ling Ma; and
• Librarian Stephen Sposato.

In the weeks ahead, we'll announce this year's winner of The Story Prize Spotlight Award. We'll also publish a longlist of other exceptional collections we read last year. You can find a complete list of the story collections we received in 2025 on Bookshop.org. 

The 2025 Judges for The Story Prize are Benjamin Dreyer, Ling Ma, and Stephen Sposato

Each year The Story Prize enlists three judges to choose the winner from among the three short story collections we select as finalists and announce in January. In alternating years one of the judges is bookseller and one is a librarian. One judge is always a short story writer, and the third can be a critic, editor, or academic.

The judges who will choose the 22nd winner of The Story Prize—which we'll announce on March 31, 2026—are author and copyeditor Benjamin Dreyer, past winner of The Story Prize Ling Ma, and Chicago librarian Stephen Sposato. We'll announce the three finalists in January.

Benjamin Dreyer, author of the New York Times bestseller Dreyer’s English, is the retired copy chief and managing editor of the Random House division of Penguin Random House. He has copyedited books by writers including E. L. Doctorow, Janet Evanovich, Rachel Joyce, Frank Rich, and Elizabeth Strout, as well as Let Me Tell You, a volume of previously uncollected material by Shirley Jackson. He lives in Santa Monica, California.

Ling Ma is author of the novel Severance and the story collection Bliss Montage, a recipient of the 2023 Story Prize. Other honors include the MacArthur Fellowship, the Whiting Award, and the National Book Critics Circle Award. Her short stories, published in The New Yorker, The Atlantic, and The Yale Review, have also been anthologized in the Best American Short Stories and twice received the O. Henry Prize. She lives in Chicago and teaches at the University of Chicago. 

Stephen Sposato is the Collection Development Manager at Chicago Public Library, where he has worked in several positions since 1995. He has presented at conferences such as the American Library Association, Illinois Library Association, and BookExpo America. He has served on the LibraryReads Steering Committee, the RUSA CODES Board, the RUSA CODES Readers' Advisory Research and Trends Committee, and the Notable Books Council and served as chair of the 2023 Andrew Carnegie Medals for Excellence selection committee.  

Video of The Story Prize Event: winner Fiona McFarlane and finalists Ruben Reyes Jr. and Jessi Jezewska Stevens

Here's the video of The Story Prize event held on March 25, 2025. Apologies to those who attempted to watch the live stream. Technical difficulties at the venue caused insurmountable problems.

What The Story Prize Judges Had to Say About Highway Thirteen by Story Prize Winner Fiona McFarlane

photo: Beowulf Sheehan

When the three judges for The Story Prize make their choices, they write citations for their top choices. This year's judges were critic and writer Merve Emre, librarian Allison Escoto, and writer Tania James. We include the citations in congratulatory letters we present to each finalist, along with their checks ($20,000 to the winner, $5,000 to the other two finalists). To protect the confidentiality of the judges' votes and the integrity of the process, we don't attribute citations to any particular judge. Here's what the judges had to say about The Hive and the Honey by Yiyun Li: 

“Highway Thirteen is a kaleidoscopic collection, offering a multifaceted view of the ordinary people affected by one serial killer in Australia. Fiona McFarlane writes with psychological precision and a masterful sense of suspense. Each story is artfully constructed and the way they fit together, spanning twenty-eight years, is nothing short of dazzling. Fiona McFarlane’s book is a tour de force about the stories we tell, the surprising ways our lives connect, and the ripple effects of violence.”

What the Story Prize Judges Had to Say About Ghost Pains by Jessi Jezewska Stevens

When the three judges for The Story Prize vote for the winner of the award, they write citations for their top choices. This year's judges were writer and editor Elliott Holt, writer Maurice Carlos Ruffin, and bookseller Lucy Yu. We include the citations in congratulatory letters we present to each finalist, along with their checks ($20,000 to the winner, $5,000 to the other two finalists). To protect the confidentiality of the judges' votes and the integrity of the process, we don't attribute citations to any particular judge. Here's what the judges had to say about Ghost Pains by Jessi Jezewska Stevens: 

Photo: Beowulf Sheehan

“Few books luxuriate in the possibility of language as does Ghost Pains. And few authors take such apparent pleasure in the swirl of wordplay, anxiety, and loneliness as does Jessi Jezewska Stevens. The nervous, insecure narrators are a joy to meet—at an interview for a light journalism piece, at a catastrophically sad party, out in the world—because they represent the uncertainty of the reader, the longing for connection, and the impossibility of true comfort or rest. In these times, this is a book that meets the moment head-on and refuses to look away. That Stevens is a master of words elevates each tale to the level of high art.” 

What the Story Prize Judges Had to Say About There Is a Rio Grande in Heaven by Ruben Reyes Jr.

When the three judges for The Story Prize vote for the winner of the award, they write citations for their top choices. This year's judges were writer and editor Elliott Holt, writer Maurice Carlos Ruffin, and bookseller Lucy Yu. We include the citations in congratulatory letters we present to each finalist, along with their checks ($20,000 to the winner, $5,000 to the other two finalists). To protect the confidentiality of the judges' votes and the integrity of the process, we don't attribute citations to any particular judge. Here's what the judges had to say about There Is a Rio Grande in Heaven by Ruben Reyes Jr.: 

Photo: Beowulf Sheehan

“Ruben Reyes Jr. shows there is no way to outrun the past. The distance someone attempts to travel away from all the selves they carry is the same distance one must travel from their own physical body. The consequential state of this is a half-lived experience in permanent limbo. There Is a Rio Grande in Heaven portrays the fragility of hunger for convenience and control. Then Reyes Jr. explores the distinct consequences of believing that control can be bought, which causes constant unsettling murmurs in one’s soul. Ultimately, he shows the impossibilities of buying ourselves out of pain while shattering this notion’s associated capitalistic ideals.

“This story collection and its anachronistic approach to grief show the ever-present nature of its cyclical appearances even as some characters attempt to run from the feeling. The nonlinear style mimics the blurriness of time as it exists through memories. Reading these stories has shown me there is no easy transactional way to connect with generational past or identity, and it is impossible to skirt around the pain of confrontation. This repeated confrontation of self is a necessary step on the path to the freedom of living in the present moment. This book delicately balances both the profound proudness and guilt of immigrants living completely different lives compared to those of even recent ancestors. These stories caution against the pseudo ideal of assimilating into capitalism that ultimately causes the removal of the history of self and severs the connection to our humanity”