Showing posts with label 2011 short story collections. Show all posts
Showing posts with label 2011 short story collections. Show all posts
Wednesday, March 21, 2012
Steven Millhauser's We Others Takes The Story Prize
The winner of The Story Prize for short story collections published in 2011 is Steven Millhauser for We Others: New & Selected Stories (Alfred A. Knopf). Millhauser takes home a check for $20,000 and an engraved silver bowl. The runners-up, Don DeLillo and Edith Pearlman, each take home $5,000. It was a pleasure to talk these authors and to hear all three read.
In many respects, these were the best matched finalists we've had. All three books collect stories that show an impressive range and breadth, written over more than 30 years. It's no exaggeration to say that all three authors are skillful and supremely accomplished. Don DeLillo's The Angel Esmeralda (Scribner) and Edith Pearlman's Binocular Vision (Lookout Books) deserve the admiration and passionate followings they've earned, as does Millhauser's work.
In the days ahead, here and at the mother ship, we'll post citations from the judges, photos from the event, and links to media coverage.
Thursday, February 23, 2012
Why We're Happy That Our Finalists Are Finalists For Other Book Awards, Too
On Feb. 21, I learned (via Twitter) that the three finalists for The Story Prize this year are also finalists for two other book awards. Don DeLillo's The Angel Esmeralda and Steven Millhauser's We Others are among the five finalists for the PEN/Faulkner Award for Fiction. And Edith Pearlman's Binocular Vision is one of five finalists for the Los Angeles Times Book Prize. It's also up for the National Book Critics Circle Award (as announced earlier) and was a finalist for the National Book Awards in November.
One reason we established The Story Prize partly was that we believed the major U.S. book awards for fiction hadn't often enough recognized short story collections—and that the form deserved its own award. Rarely does a story collection win these prizes. PEN/Faulkner has the best track record in this regard, having given its fiction prize to two story collections in the past two years: Sherman Alexie's War Dances in 2010 and The Collected Stories of Deborah Eisenberg in 2011, as well as three others in the past 20 years—for a total of five winners.
If you don't count Jennifer Egan's A Visit from the Goon Squad, which the publisher maintained was a novel, The Pulitzer Prize last went to a story collection in 2009—Elizabeth Strout's Olive Kitteridge. Before that, it most recently went to a story collection in 2000, when Jhumpa Lahiri won for Interpreter of Maladies. But those are the only two books of short fiction that have won in the past 20 years—even 30 years. The last short fiction winner before 2000 was The Stories of John Cheever in 1979.
A short story collection hasn't won the National Book Awards since Andrea Barrett's Ship Fever in 1996, and the last story collection to win before that was Ellen Gilchrist's Victory Over Japan in 1984. However, readers did choose The Complete Stories of Flannery O'Connor as the best book in the NBA's first 60 years in 2010. And more short story collections seem to have been among the finalists in recent years.
Excluding Egan's book last year, the last story collection to win the National Book Critics Circle Award for fiction was in 1998--Alice Munro's The Love of a Good Woman. Gina Beirault's Women in Their Beds, a 1996 winner (and also a PEN/Faulkner winner), is the only other story collection to win the NBCC award for fiction in the last 20 years. In my opinion, short story collections are harder for critics to write about, which is one reason I think this award is a tough one for short fiction entries to crack.
In any event, we're happy that all three of this year's finalists for The Story Prize have a shot at winning other awards, too, because we believe in these three books and wish them—and short story collections in general—as much favorable attention as possible. Good luck all.
(You can see DeLillo. Millhauser, and Pearlman read and discuss their work at The Story Prize event at The New School on March 21.)
One reason we established The Story Prize partly was that we believed the major U.S. book awards for fiction hadn't often enough recognized short story collections—and that the form deserved its own award. Rarely does a story collection win these prizes. PEN/Faulkner has the best track record in this regard, having given its fiction prize to two story collections in the past two years: Sherman Alexie's War Dances in 2010 and The Collected Stories of Deborah Eisenberg in 2011, as well as three others in the past 20 years—for a total of five winners.If you don't count Jennifer Egan's A Visit from the Goon Squad, which the publisher maintained was a novel, The Pulitzer Prize last went to a story collection in 2009—Elizabeth Strout's Olive Kitteridge. Before that, it most recently went to a story collection in 2000, when Jhumpa Lahiri won for Interpreter of Maladies. But those are the only two books of short fiction that have won in the past 20 years—even 30 years. The last short fiction winner before 2000 was The Stories of John Cheever in 1979.
A short story collection hasn't won the National Book Awards since Andrea Barrett's Ship Fever in 1996, and the last story collection to win before that was Ellen Gilchrist's Victory Over Japan in 1984. However, readers did choose The Complete Stories of Flannery O'Connor as the best book in the NBA's first 60 years in 2010. And more short story collections seem to have been among the finalists in recent years.
Excluding Egan's book last year, the last story collection to win the National Book Critics Circle Award for fiction was in 1998--Alice Munro's The Love of a Good Woman. Gina Beirault's Women in Their Beds, a 1996 winner (and also a PEN/Faulkner winner), is the only other story collection to win the NBCC award for fiction in the last 20 years. In my opinion, short story collections are harder for critics to write about, which is one reason I think this award is a tough one for short fiction entries to crack.
In any event, we're happy that all three of this year's finalists for The Story Prize have a shot at winning other awards, too, because we believe in these three books and wish them—and short story collections in general—as much favorable attention as possible. Good luck all.
(You can see DeLillo. Millhauser, and Pearlman read and discuss their work at The Story Prize event at The New School on March 21.)
Wednesday, February 8, 2012
Outstanding and Notable 2011 Collections
So many of the short story collections we read for The Story Prize in 2011 were skillful, engaging, and well-deserving of a wider readership. We could only choose three books as finalists. However, we read several other 2011 collections we considered to be worthy of attention. We found these seven books, in particular, to be outstanding:
- Steve Almond, God Bless America, Lookout Books*
- Charles Baxter, Gryphon: New and Selected Stories, Pantheon
- Siobhan Fallon, You Know When the Men Are Gone, Putnam/Amy Einhorn
- Caitlin Horrocks, This Is Not Your City, Sarabande Books
- Maureen McHugh, After the Apocalypse, Small Beer Press
- Daniel Orozco, Orientation and Other Stories, Faber & Faber
- Jim Shepard, You Think That's Bad, Alfred A. Knopf
And we highly recommend these notable collections (though many others we read could also have been on this list):
- Alethea Black, I Knew You'd Be Lovely, Broadway Books
- Lou Beach, 420 Characters, Houghton Mifflin Harcourt
- Shannon Cain, The Necessity of Certain Behaviors, Univ. of Pittsburgh Press
- Seth Fried, The Great Frustration, Counterpoint/Soft Skull
- Laura Furman, The Mother Who Stayed, Free Press
- David Galef, My Date with Neanderthal Woman, Dzanc Books
- Dagoberto Gilb, Before the End, After the Beginning, Grove Press
- Diane Goodman, Party Girl, Autumn House Press
- Alan Heathcock, Volt, Graywolf Press
- Patricia Henley, Other Heartbreaks, Engine Books
- Michael Martone, Four for a Quarter, FC2
- Ana Menendez, Adios, Happy Homeland, Black Cat
- Sabina Murray, Tales of the New World, Black Cat
- Edna O'Brien, Saints and Sinners, Little Brown
- Miroslav Penkov, East of the West, Farrar, Straus and Giroux
- Helen Phillips, And Yet They Were Happy, Leapfrog Press
- Shann Ray, American Masculine, Graywolf Press
- Adam Ross, Ladies and Gentlemen, Alfred A. Knopf
- Elissa Schappell, Blueprints for Building Better Girls, Simon & Schuster
- Andrew Scott, Naked Summer, Press 53
- Danzy Senna, You Are Free, Riverhead Books
- Emma Straub, Other People We Married, Five Chapters/Riverhead Books
- Melanie Rae Thon, In This Light, Graywolf Press
- Lynne Tillman, Someday This Will Be Funny, Cursor/Red Lemonade
- Colm Tóibín, The Empty Family, Scribner
* [Author links are to guest posts on The Story Prize blog.
Book links are to IndieBound or other bookselling outlets.]
Subscribe to:
Posts (Atom)



